Old English Period | 450 CE – 1066 CE
Caedmon | Unknown–c. 680 | Caedmon’s Hymn (earliest surviving Old English poem) | 658–680 |
Bede | 673–735 | Ecclesiastical History of the English People (written in Latin) | 673–735 |
Cynewulf | Unknown (8th century) | – Juliana – Elene – The Fates of the Apostles – Christ II | 700–800 |
Anonymous | N/A | Beowulf (epic poem, the oldest surviving long poem in Old English) | 700 (circa) |
King Alfred | 849–899 | Translations: Pastoral Care by Gregory the Great, Consolation of Philosophy by Boethius, and others | 9th century |
Anonymous | N/A | – The Wanderer – The Seafarer (elegiac poems) | 950–970 |
Anonymous | N/A | The Exeter Book (contains riddles, religious poems, and elegies like The Wife’s Lament) | 975 (circa) |
Anonymous | N/A | The Vercelli Book (includes The Dream of the Rood) | 1000 (circa) |
Wulfstan | Died c. 1023 | Sermo Lupi ad Anglos (Sermon of the Wolf to the English) | 11th century |
Ælfric of Eynsham | c. 955–c. 1010 | Catholic Homilies, Lives of the Saints | 11th century |
Middle English Period | 1066 CE – 1485 CE
1. The Age Before Chaucer | 1066 – 1300
- Linguistic transition from Old English to Middle English
- Religious and didactic literature dominated
- Emerging vernacular narratives and moral instruction themes
Layamon | c. 1190–c. 1215 | Brut (a Middle English chronicle based on Wace’s Roman de Brut) | 1200 (circa) |
Marie de France | 12th century | Lais (a collection of Breton-inspired narrative poems) | 1160–1199 |
Anonymous | N/A | The Owl and the Nightingale (debate poem in Middle English) | 1189–1216 |
Anonymous | N/A | Ormulum (a Middle English verse homily) | 12th century |
Anonymous | N/A | The Ancrene Wisse (a guide for anchoresses, written in Middle English) | 13th century |
Anonymous | N/A | Cursor Mundi (a religious Middle English poem) | 1300 (circa) |
2. The Age of Chaucer | 1300-1400
Geoffrey Chaucer | c. 1343 -1400 | The Canterbury Tales, Troilus and Criseyde, The Book of the Duchess, The House of Fame | 1380–1400 |
John Gower | c. 1330 – 1408 | Confessio Amantis, Vox Clamantis, Speculum Meditantis | 1370–1400 |
William Langland | c. 1332 – c. 1386 | Piers Plowman (allegorical narrative poem) | 1360–1386 |
The Pearl Poet | Late 14th Century | ||
John Barbour | c. 1320 – 1395 | The Brus (an epic poem about Robert the Bruce) | 1375 (circa) |
Anonymous | N/A | The Vision of Piers Plowman (continuations and adaptations) | Late 14th century |
3. The Age of Revival (The Age After Chaucer) | 1400 – 1485
- Revival of English literature, influenced by both classical learning and the early Renaissance
- The printing press, introduced by William Caxton, played a pivotal role in disseminating literature.
- Moral, allegorical, and didactic themes, reflecting the transitional period from medieval to Renaissance thought
Thomas Malory | c. 1415–1471 | Le Morte d’Arthur (a compilation of Arthurian legends) | 1469–1470 |
John Lydgate | c. 1370–c. 1451 | Troy Book (an epic poem), The Fall of Princes, The Temple of Glass | 1400–1450 |
William Caxton | c. 1422–1491 | Introduced the printing press in England; published The Canterbury Tales, Le Morte d’Arthur, and other works | 1476–1491 |
Henryson, Robert | c. 1425–1500 | The Testament of Cresseid, Moral Fables | 1470–1500 |
Anonymous | N/A | Everyman (a morality play), The Second Shepherds’ Play | Late 15th century |
James I of Scotland | 1394–1437 | The Kingis Quair (an autobiographical dream-vision poem) | 1420 (circa) |
John Skelton | c. 1463–1529 | The Bowge of Courte, Philip Sparrow, Why Come Ye Nat to Court? | Late 15th century |
The Beginning of Tudor Rule | 1485 | The ascension of Henry VII, ending the Wars of the Roses and establishing the Tudor dynasty |
The Renaissance & Reformation | 1485 CE – 1660 CE
1. Early Tudor Period | 1485 – 1558
Sir Thomas More | 1478–1535 | Utopia (a socio-political satire and humanist work) | 1516 |
The Protestant Reformation in England | 1534 | The Act of Supremacy declared Henry VIII as the Supreme Head of the Church of England | |
John Skelton | c. 1463–1529 | The Bowge of Courte, Colin Clout, Philip Sparrow | 1500–1528 |
Henry VIII and the Dissolution of the Monasteries | 1536–1541 | Led to the redistribution of monastic lands and influenced religious themes in literature | 1536–1541 |
The Renaissance Humanism Movement | 15th–16th century | Emphasis on classical learning and individualism, as seen in works by Erasmus, More, and other scholars | 1485–1558 |
Sir Thomas Wyatt | 1503–1542 | Introduced the sonnet form to English literature; notable works include Whoso List to Hunt and other Petrarchan sonnets | 1520s–1540s |
Henry Howard, Earl of Surrey | 1517–1547 | Developed the English sonnet form; translated Virgil’s Aeneid | 1540s |
The First Complete English Bible (Tyndale Bible) | 1526 | William Tyndale’s translation of the Bible into English; marked a shift in religious and literary accessibility | 1526 |
The Courtly Love Tradition | 15th–16th century | Poetry reflecting themes of courtly love, heavily influenced by Wyatt and Surrey | 1485–1558 |
Nicholas Udall | 1504–1556 | Ralph Roister Doister (the first English comedy) | 1553 |
The Accession of Mary I | 1553 | A return to Catholicism, influencing religious themes in literature | 1553 |
The Printing of Early Chronicles | 1516–1558 | The rise of printed historical chronicles, such as The Chronicles of England | 1516–1558 |
2. Elizabethan Age | 1558-1603
- political stability, naval supremacy, and the flourishing of English arts under Queen Elizabeth I.
- Renaissance humanism, patriotism, and exploration of themes like love, tragedy, and ambition dominated the era.
- rise of English drama, with Shakespeare and Marlowe leading the way in establishing the foundations of modern theatre.
- defeat of the Spanish Armada and the establishment of professional playhouses significantly influenced literature and drama
Elizabeth I’s Accession | 1558 | Elizabeth I becomes Queen, marking the start of the Elizabethan era and a golden age of English culture and literature | |
(cont.) Renaissance Humanism in England | 16th century | Continued focus on classical learning, individualism, and human potential | |
Edmund Spenser | 1552–1599 | The Faerie Queene (epic allegorical poem), Amoretti (sonnets), Epithalamion | 1590–1596 |
William Shakespeare | 1564–1616 | Early works: Romeo and Juliet, A Midsummer Night’s Dream, The Merchant of Venice, Henry IV, Julius Caesar | 1590–1603 |
Christopher Marlowe | 1564 – 1593 | Doctor Faustus, Tamburlaine the Great, The Jew of Malta, Hero and Leander | 1587–1593 |
Sir Philip Sidney | 1554–1586 | Astrophel and Stella (sonnet sequence), The Defence of Poesy, Arcadia | 1570s–1580s |
The Spanish Armada | 1588 | England’s naval victory over Spain; inspired patriotic themes in Elizabethan literature | |
Ben Jonson | 1572–1637 | Early works: Every Man in His Humour, Volpone (though written later, he rose to prominence during the Elizabethan age) | 1598 |
John Lyly | 1554–1606 | Euphues: The Anatomy of Wit, Euphues and His England | 1578–1580 |
Thomas Kyd | 1558–1594 | The Spanish Tragedy (a foundational revenge tragedy) | 1587 (circa) |
The University Wits | 1580s–1590s | Group of playwrights and poets including Marlowe, Kyd, Lyly, Greene, and Peele; paved the way for Elizabethan drama | 1580s–1590s |
The Printing of Popular Ballads and Pamphlets | 16th Century | Ballads and pamphlets became widespread, reflecting popular themes and concerns | 1558–1603 |
Sir Walter Raleigh | 1552–1618 | The Nymph’s Reply to the Shepherd (response to Marlowe’s The Passionate Shepherd to His Love) | Late 16th century |
The Formation of Professional Theatres | 1576 | James Burbage builds The Theatre, the first permanent public playhouse in England | 1576 |
Francis Bacon | 1561–1626 | Essays, The Advancement of Learning | 1597–1605 |
3. Jacobean Age | 1603-1625
- increasing political tension, skepticism, and religious unease.
- Drama reached new psychological depths, exploring themes of corruption, revenge, and mortality
- The 1611 translation had a profound and lasting impact on English prose and religious life
- Jacobean drama often focused on dark, tragic themes, with playwrights like Webster, Middleton, and Jonson creating masterpieces
- These performances were popularized at the royal court, reflecting the opulence and political propaganda of the era.
James I’s Accession | 1603 | James I becomes King of England, uniting the crowns of England and Scotland; the start of the Jacobean Age | 1603 |
William Shakespeare | 1564–1616 | Late works: Othello, King Lear, Macbeth, The Tempest, Cymbeline | 1603–1611 |
Ben Jonson | 1572–1637 | Volpone, The Alchemist, Bartholomew Fair, Epicoene, or the Silent Woman | 1605–1614 |
The King James | 1611 | Authorized translation of the Bible into English; deeply influenced English prose and literature | 1611 |
Francis Bacon | 1561–1626 | Novum Organum, The Essays, The Advancement of Learning | 1605–1620 |
John Webster | c. 1580–c. 1634 | The Duchess of Malfi, The White Devil | 1612–1614 |
Thomas Middleton | 1580–1627 | The Changeling (with William Rowley), Women Beware Women, A Chaste Maid in Cheapside | 1611–1624 |
Civic and Masque Theatre | 1603–1625 | The rise of court masques, elaborate theatrical performances often involving music, dance, and allegory | 1603–1625 |
George Chapman | c. 1559–1634 | Bussy D’Ambois, The Revenge of Bussy D’Ambois, translations of Homer’s Iliad and Odyssey | 1603–1616 |
John Donne | 1572–1631 | Holy Sonnets, Devotions upon Emergent Occasions, An Anatomy of the World | 1609–1625 |
Political Unrest and Gunpowder Plot | 1605 | The failed Gunpowder Plot of 1605; increased political tensions and reflected in the literature | 1605 |
John Fletcher and Beaumont | 1584–1625, 1586–1616 | Collaborative works: Philaster, The Maid’s Tragedy, A King and No King | 1607–1611 |
The Decline of the Elizabethan Worldview | 1603–1625 | Shift towards darker themes, reflecting uncertainty, skepticism, and political instability | 1603–1625 |
3. Caroline Age | 1625 – 1649
- increasing political and religious turmoil, culminating in the English Civil War and the execution of Charles I.
- Metaphysical Poetry explored complex spiritual and philosophical ideas using striking metaphors.
- Cavalier Poetry celebrated courtly themes and loyalty to the monarchy, often in a lighter and more accessible style.
- The masque continued as a popular art form, blending poetry, music, and dance, although the Civil War curtailed theatrical productions.
- Political and religious conflicts deeply influenced literature, with themes of loyalty, mortality, and divine providence appearing frequently.
Charles I’s Accession | 1625 | Charles I becomes King of England; tensions rise between monarchy and Parliament, leading to the English Civil War | |
Metaphysical Poetry | Early 17th century | Poets like John Donne, George Herbert, and Henry Vaughan explored spiritual and philosophical themes | 1625–1649 |
John Milton | 1608–1674 | Early works: Comus (masque), Lycidas (pastoral elegy) | 1634, 1637 |
George Herbert | 1593–1633 | The Temple (a collection of religious poems) | 1633 |
Cavalier Poetry | Early 17th century | Poets like Robert Herrick, Richard Lovelace, and Thomas Carew celebrated themes of love, loyalty, and honor | 1625–1649 |
Ben Jonson | 1572–1637 | Late works: The Sad Shepherd (pastoral play), A Tale of a Tub | 1630–1637 |
Robert Herrick | 1591–1674 | Hesperides (a collection of poems) | 1648 |
The English Civil War begins | 1642 | Armed conflict between Royalists (Cavaliers) and Parliamentarians (Roundheads); heavily influenced literature | |
John Suckling | 1609–1642 | A Ballad upon a Wedding, The Sessions of the Poets | 1630s |
Richard Lovelace | 1617–1657 | To Althea, from Prison, To Lucasta, Going to the Wars | 1640s |
Francis Quarles | 1592–1644 | Emblems (a collection of religious and allegorical poetry) | 1635 |
Thomas Carew | 1595–1640 | An Elegy upon the Death of Dr. Donne, The Rapture | 1620s–1630s |
The Trial and Execution of Charles 1 | 1649 | The monarchy ends with Charles I’s execution, transitioning to the Commonwealth period under Oliver Cromwell |
3. Commonwealth Period / Puritan Interregnum |1649 – 1660
- Puritanical governance, emphasized simplicity, morality, and religious piety, which deeply influenced literature.
- Religious and moral topics dominated, and secular entertainment, like drama, was suppressed
- Although restrained, the groundwork for later intellectual developments (e.g., the Royal Society) was laid during this time
Oliver Cromwell’s Rule | 1653–1658 | Cromwell becomes Lord Protector, establishing a Puritan-dominated government | 1653 |
John Milton | 1608–1674 | Eikonoklastes (defense of regicide), Defensio pro Populo Anglicano (defense of the English people) | 1649, 1651 |
Religious Poetry | Mid-17th century | Religious themes dominate literature; writers like John Milton and George Herbert focus on divine and moral questions | 1649–1660 |
Banning of Theatres | 1642 (continued) | Public stage plays remain banned during the Commonwealth, suppressing dramatic literature | 1649–1660 |
Andrew Marvell | 1621–1678 | To His Coy Mistress, An Horatian Ode upon Cromwell’s Return from Ireland | 1650s |
Puritan Influence on Literature | 1649–1660 | Emphasis on moral and religious themes; stark style; suppression of secular and extravagant works | 1649–1660 |
John Bunyan | 1628–1688 | Grace Abounding to the Chief of Sinners (spiritual autobiography) | 1660 |
Political Pamphlets and Tracts | Mid-17th century | Writers like Milton and Marvell produce tracts addressing governance, liberty, and religion | 1649–1660 |
Scientific Advancements | 17th century | Development of scientific thought continued; precursor to the Royal Society (founded 1660) | 1649–1660 |
Battle of Worcester | 1651 | Final battle of the English Civil War; solidifies Cromwell’s control over England | 1651 |
Milton’s Later Works | 1608–1674 | The Tenure of Kings and Magistrates, arguing for the right to depose tyrannical rulers | 1649 |
Suppression of Arts and Entertainment | 1649–1660 | Strict Puritan morality leads to a decline in secular art forms, including drama and music | 1649–1660 |
Richard Cromwell | 1626–1712 | Succeeds Oliver Cromwell as Lord Protector but resigns within a year, leading to the collapse of the Commonwealth | 1658–1659 |
Restoration Movement | Late 1650s | Growing unrest and desire for the monarchy’s return culminates in the Restoration of Charles II in 1660 | 1659–1660 |
The Age of Enlightenment / Neoclassical Period | 1660 CE – 1790 CE
1. Restoration Period | 1660 – 1700
- revival of monarchy and the arts, following years of Puritan suppression.
- Restoration comedies and tragedies flourished, characterized by wit, sexual themes, and critique of societal norms
- The Royal Society symbolized the age’s commitment to reason and experimentation.
- social and political commentaries.
- themes of slavery and colonialism, a precursor to later abolitionist literature.
Restoration of Charles II | 1660 | Charles II is restored to the throne, ending the Puritan Commonwealth and ushering in a revival of arts and literature | 1660 |
John Milton | 1608–1674 | Paradise Lost (epic poem), Paradise Regained, Samson Agonistes | 1667, 1671 |
John Dryden | 1631–1700 | Absalom and Achitophel, Mac Flecknoe, Annus Mirabilis, The Hind and the Panther, Restoration dramas | 1660s–1680s |
Samuel Pepys | 1633–1703 | The Diary of Samuel Pepys (detailed accounts of Restoration society, the Great Fire, and the Plague) | 1660–1669 |
The Great Fire of London | 1666 | Devastates much of the city; sparks rebuilding efforts and inspires literature | |
Restoration Comedy | Late 17th century | Celebrated wit, satire, and sexual innuendo; playwrights include William Congreve, George Etherege, and Aphra Behn | 1660s–1700 |
William Wycherly | 1641–1716 | The Country Wife (Restoration comedy) | 1675 |
Aphra Behn | 1640–1689 | Oroonoko (proto-novel about slavery and colonialism), The Rover | 1688, 1677 |
Issac Newton | 1643–1727 | Principia Mathematica (revolutionizes physics and mathematics) | 1687 |
William Congreve | 1670–1729 | The Way of the World (Restoration comedy) | 1700 |
The Licensing Act of 1662 | 1662 | Reimposed censorship on printed works, limiting freedom of the press | |
The Glorious Revolution | 1688 | Overthrow of James II and the establishment of constitutional monarchy under William III and Mary II | |
Thomas Otway | 1652–1685 | Venice Preserv’d (tragedy) | 1682 |
The Royal Society | 1660 | Founded to promote scientific thought and experimentation | |
Sir George Etherege | 1636–1692 | The Man of Mode (Restoration comedy) | 1676 |
Satirical Literature | Late 17th century | Satire becomes a dominant literary form; Dryden and others critique politics, society, and rival writers | 1660–1700 |
Jeremy Colllier | 1650–1726 | A Short View of the Immorality and Profaneness of the English Stage (critique of Restoration drama) | 1698 |
2. Augustan Age | 1700 – 1750
Neoclassical Movement | Early 18th century | Literary movement emphasizing order, clarity, and classical ideals; major forms include satire, essays, and poetry | 1700–1750 |
Alexander Pope | 1688–1744 | The Rape of the Lock, The Dunciad, An Essay on Criticism, An Essay on Man | 1712–1743 |
Jonathan Swift | 1667–1745 | Gulliver’s Travels, A Modest Proposal, The Drapier’s Letters | 1726, 1729, 1724–1725 |
The Spectator (Joseph Addison and Richard Steele) | 1711–1712 | Essays promoting morality and societal values through accessible prose | 1711–1712 |
Daniel Defoe | 1660–1731 | Robinson Crusoe, Moll Flanders | 1719, 1722 |
The Rise of the Novel | Early 18th century | Emergence of prose fiction as a dominant form; pioneered by Defoe, Richardson, and Fielding | 1700–1750 |
Samuel Richardson | 1689–1761 | Pamela, Clarissa | 1740, 1748 |
Henry Fielding | 1707–1754 | Joseph Andrews, Tom Jones | 1742, 1749 |
Battle of Blenheim (War of the Spanish Succession) | 1704 | British victory under Marlborough; celebrated in political and patriotic literature | 1704 |
The Licensing Act of 1737 | 1737 | Imposed strict censorship on plays, reshaping theatrical production | 1737 |
Samuel Johnson | 1709–1784 | Early works; notable contributions to essays and periodicals | 1730s–1740s |
James Thomson | 1700–1748 | The Seasons (a series of blank-verse poems celebrating nature) | 1726–1730 |
Edward Young | 1683–1765 | Night Thoughts (a long poem exploring themes of death, immortality, and religion) | 1742–1745 |
George Berkeley | 1685–1753 | A Treatise Concerning the Principles of Human Knowledge (philosophy) | 1710 |
The Beggar’s Opera (John Gay) | 1685–1732 | A satirical ballad opera critiquing corruption in society | 1728 |
The Enlightenment | 18th century | Intellectual movement emphasizing reason, science, and skepticism | 1700–1750 |
David Hume | 1711–1776 | A Treatise of Human Nature (philosophy) | 1739–1740 |
William Hogarth (Painter and Satirist) | 1697–1764 | Satirical engravings such as A Harlot’s Progress and Marriage A-la-Mode | 1730s–1740s |
Robert Walpole | 1676–1745 | Britain’s first de facto Prime Minister; inspired political satire in literature | 1721–1742 |
3. The Age Of Johnson / The Age of Sensibility | 1750 – 1790
Samuel Johnson | 1709–1784 | A Dictionary of the English Language, The Rambler (essays), Rasselas, Lives of the Poets | 1755, 1750–1752, 1759, 1779–1781 |
James Boswell | 1740–1795 | The Life of Samuel Johnson (a landmark in biographical literature) | 1791 |
Edmund Burke | 1729–1797 | A Philosophical Enquiry into the Sublime and Beautiful, Reflections on the Revolution in France | 1757, 1790 |
Oliver Goldsmith | 1728–1774 | The Vicar of Wakefield, She Stoops to Conquer, The Deserted Village | 1766, 1773, 1770 |
Thomas Gray | 1716–1771 | Elegy Written in a Country Churchyard | 1751 |
William Cowper | 1731–1800 | The Task, Olney Hymns | 1785, 1779 |
The Bluestocking Group | 1750s–1780s | Literary group promoting intellectual engagement among women, led by Elizabeth Montagu and others | 1750s–1780s |
James Macpherson | 1736–1796 | Ossian Poems (claimed as translations of ancient Gaelic epics, sparking controversy) | 1760–1765 |
Richard Brinsley Sheridan | 1751–1816 | The Rivals, The School for Scandal | 1775, 1777 |
Horace Walpole | 1717–1797 | The Castle of Otranto (first Gothic novel) | 1764 |
Samuel Johnson | 1709–1784 | A Dictionary of the English Language, The Rambler (essays), Rasselas, Lives of the Poets | 1755, 1750–1752, 1759, 1779–1781 |
Sensibility Movement | Mid-18th century | Emphasis on emotional responsiveness, sympathy, and moral virtue in literature | 1750–1790 |
Fanny Burney | 1752–1840 | Evelina, Cecilia (novels exploring manners and societal norms) | 1778, 1782 |
The American Revolution | 1775–1783 | Inspired literature reflecting political and philosophical debates about liberty and governance | 1775–1783 |
Thomas Chatterton | 1752–1770 | Poems of Thomas Rowley (medieval-inspired poetry, later revealed as forgeries) | 1770s |
The Sublime in Literature | Mid-18th century | Influenced by Edmund Burke’s theory; inspired works with themes of awe, terror, and nature | 1750–1790 |
William Blake | 1757–1827 | Poetical Sketches | 1783 |
Reynolds and the Royal Academy of Arts | Founded 1768 | Sir Joshua Reynolds’ lectures promoted neoclassical aesthetics | 1768 |
The French Revolution (Beginning) | 1789 | Sparked interest in themes of freedom, equality, and revolution in literature | 1789 |
Romantic Period | 1785 CE – 1832 CE
William Blake | 1757–1827 | Songs of Innocence, Songs of Experience, The Marriage of Heaven and Hell | 1789, 1794, 1790–1793 |
William Wordsworth | 1770–1850 | Lyrical Ballads (with Coleridge), The Prelude | 1798, 1850 |
Samuel Taylor Coleridge | 1772–1834 | The Rime of the Ancient Mariner, Kubla Khan, Biographia Literaria | 1798, 1816, 1817 |
Percy Bysshe Shelley | 1792–1822 | Ozymandias, Prometheus Unbound, Adonais | 1818, 1820, 1821 |
John Keats | 1795–1821 | Ode to a Nightingale, Ode on a Grecian Urn, To Autumn | 1819 |
Lord Byron | 1788–1824 | Childe Harold’s Pilgrimage, Don Juan, She Walks in Beauty | 1812–1818, 1819–1824 |
Mary Shelley | 1797–1851 | Frankenstein, The Last Man | 1818, 1826 |
The French Revolution | 1789 | Inspired revolutionary ideas and themes of liberty and equality in literature | 1789 |
The Gothic Revival | Late 18th century | Continued growth of Gothic literature, including Mary Shelley’s Frankenstein | 1785–1832 |
Sir Walter Scott | 1771–1832 | Waverley (historical novel), Ivanhoe | 1814, 1819 |
Jane Austen | 1775–1817 | Pride and Prejudice, Sense and Sensibility, Emma | 1811, 1813, 1815 |
Romanticism (Movement) | Late 18th–early 19th c. | Focused on emotion, nature, imagination, and individualism; reaction against industrialization and neoclassicism | 1785–1832 |
Industrial Revolution | Late 18th century | Profound social and economic changes that influenced themes of alienation and progress in Romantic literature | 1780s–1830s |
Anna Laetitia Barbauld | 1743–1825 | Eighteen Hundred and Eleven, poems exploring political and social themes | 1812 |
William Hazlitt | 1778–1830 | Table Talk, The Spirit of the Age (essays exploring literature, philosophy, and culture) | 1820s |
Charles Lamb | 1775–1834 | Essays of Elia | 1823 |
Thomas De Quincey | 1785–1859 | Confessions of an English Opium-Eater | 1821 |
The Peterloo Massacre | 1819 | Event that influenced radical literature and themes of political justice | 1819 |
John Clare | 1793–1864 | The Shepherd’s Calendar, poems exploring rural life and nature | 1827 |
Leigh Hunt | 1784–1859 | The Story of Rimini | 1816 |
The Reform Act | 1832 | Marked the end of the Romantic period, initiating political reform and a shift in literary focus | 1832 |
Victorian Period | 1785 CE – 1832 CE
1. Early-Victorian Period | 1832 – 1848
Charles Dickens | 1812–1870 | Sketches by Boz, The Pickwick Papers, Oliver Twist, Nicholas Nickleby | 1836, 1836–1837, 1837–1839, 1838–1839 |
Elizabeth Barrett Browning | 1806–1861 | Poems (Volume 1), The Seraphim, and Other Poems | 1838, 1838 |
Thomas Carlyle | 1795–1881 | Sartor Resartus, The French Revolution: A History | 1833–1834, 1837 |
Alfred, Lord Tennyson | 1809–1892 | Poems, Chiefly Lyrical, Poems (Volume 2), The Lady of Shalott | 1830, 1842, 1832 |
Emily Brontë | 1818–1848 | Began writing Wuthering Heights | 1845–1847 |
Charlotte Brontë | 1816–1855 | Began writing Jane Eyre | 1846–1847 |
Industrial Revolution | 19th century | Profound social and economic changes impacting literature and themes of class, labor, and industrial life | 1830s–1840s |
Elizabeth Gaskell | 1810–1865 | Mary Barton (a novel addressing working-class struggles) | 1848 |
The Chartist Movement | 1838–1857 | Working-class movement advocating for political reform | 1838–1857 |
Social Problem Novel | 1830s–1840s | Literature addressing social issues such as poverty, child labor, and industrial conditions | 1830s–1840s |
Robert Browning | 1812–1889 | Pauline, Paracelsus | 1833, 1835 |
George Borrow | 1803–1881 | The Bible in Spain | 1843 |
Victorian Poetry | 1830s–1840s | Themes of morality, nature, and social change emerged in the poetry of Tennyson, Browning, and Barrett Browning | 1832–1848 |
The Reform Act of 1832 | 1832 | Expanded voting rights; inspired political and social commentary in literature | 1832 |
The Corn Laws (Repeal Movement Begins) | Early 1840s | Advocated for free trade, influencing themes of economic reform in literature | 1830s–1840s |
Friedrich Engels | 1820–1895 | The Condition of the Working Class in England | 1845 |
2. Mid-Victorian Period | 1848 – 1870
William Blake | 1757–1827 | Songs of Innocence, Songs of Experience, The Marriage of Heaven and Hell | 1789, 1794, 1790–1793 |
William Wordsworth | 1770–1850 | Lyrical Ballads (with Coleridge), The Prelude | 1798, 1850 |
Samuel Taylor Coleridge | 1772–1834 | The Rime of the Ancient Mariner, Kubla Khan, Biographia Literaria | 1798, 1816, 1817 |
Percy Bysshe Shelley | 1792–1822 | Ozymandias, Prometheus Unbound, Adonais | 1818, 1820, 1821 |
John Keats | 1795–1821 | Ode to a Nightingale, Ode on a Grecian Urn, To Autumn | John Keats |
Lord Byron | 1788–1824 | Childe Harold’s Pilgrimage, Don Juan, She Walks in Beauty | Lord Byron |
Mary Shelley | 1797–1851 | Frankenstein, The Last Man | Mary Shelley |
The French Revolution | 1789 | Inspired revolutionary ideas and themes of liberty and equality in literature | The French Revolution |
The Gothic Revival | Late 18th century | Continued growth of Gothic literature, including Mary Shelley’s Frankenstein | 1785–1832 |
Sir Walter Scott | 1771–1832 | Waverley (historical novel), Ivanhoe | 1814, 1819 |
Jane Austen | 1775–1817 | Pride and Prejudice, Sense and Sensibility, Emma | 1811, 1813, 1815 |
Romanticism (Movement) | Late 18th–early 19th c. | Focused on emotion, nature, imagination, and individualism; reaction against industrialization and neoclassicism | 1785–1832 |
Industrial Revolution | Late 18th century | Profound social and economic changes that influenced themes of alienation and progress in Romantic literature | 1780s–1830s |
Anna Laetitia Barbauld | 1743–1825 | Eighteen Hundred and Eleven, poems exploring political and social themes | 1812 |
William Hazlitt | 1778–1830 | Table Talk, The Spirit of the Age (essays exploring literature, philosophy, and culture) | 1820s |
Charles Lamb | 1775–1834 | Essays of Elia | 1823 |
Thomas De Quincey | 1785–1859 | Confessions of an English Opium-Eater | 1821 |
The Peterloo Massacre | 1819 | Event that influenced radical literature and themes of political justice | 1819 |
John Clare | 1793–1864 | The Shepherd’s Calendar, poems exploring rural life and nature | 1827 |
Leigh Hunt | 1784–1859 | The Story of Rimini | 1816 |
The Reform Act | 1832 | Marked the end of the Romantic period, initiating political reform and a shift in literary focus | 1832 |
3. Late-Victorian Period | 1870 – 1901
Thomas Hardy | 1840–1928 | Tess of the d’Urbervilles, Jude the Obscure, The Mayor of Casterbridge | 1891, 1895, 1886 |
Oscar Wilde | 1854–1900 | The Picture of Dorian Gray, The Importance of Being Earnest, The Canterville Ghost | 1890, 1895, 1887 |
Henry James | 1843–1916 | The Portrait of a Lady, The Turn of the Screw, Daisy Miller | 1881, 1898, 1878 |
George Bernard Shaw | 1856–1950 | Pygmalion, Man and Superman, Mrs. Warren’s Profession | 1912, 1903, 1902 |
Gerard Manley Hopkins | 1844–1889 | The Wreck of the Deutschland, God’s Grandeur, The Windhover | 1875, 1877, 1877 |
Rudyard Kipling | 1865–1936 | The Jungle Book, Kim, If— | 1894, 1901, 1895 |
Thomas Morris (M. P. Shiel) | 1865–1947 | The Purple Cloud, The Last Man | 1901, 1898 |
H.G. Wells | 1866–1946 | The War of the Worlds, The Time Machine, The Invisible Man | 1898, 1895, 1897 |
Henry Arthur Jones | 1851–1929 | The Case of Rebellious Susan, The Liars | 1893, 1887 |
The Pre-Raphaelite Brotherhood (Continued Influence) | 1848–1860s | The movement continued into the late Victorian period, influencing the aesthetic and themes of late Victorian poetry. | 1848–1900s |
The Aesthetic Movement | Late 19th century | Emphasized “art for art’s sake,” with figures like Oscar Wilde, and sought to elevate beauty over social or political messages | 1870s–1890s |
The Decadent Movement | 1890s–1900s | Reaction against Victorian morality and social values, focusing on excess, sensuality, and artifice (led by Oscar Wilde) | 1890s |
Social Reform & Feminism | Late 19th century | The rise of suffragette movements and literature advocating for gender equality, including works by George Eliot and others | 1870s–1900 |
Charles Dickens (Posthumous Influence) | 1812–1870 | Continued posthumous influence as his works were adapted for stage and film | 1880s–1900s |
The Boer War (1899–1902) | 1899–1902 | The impact of imperial wars, like the Boer War, influenced themes of imperialism and British identity in literature | 1899–1902 |
The Rise of Modernism | Late 19th century | Beginning of a transition from Victorian realism to Modernism, focusing on experimental form and perspective in the 20th century | 1890s–1901 |
Walter Pater | 1839–1894 | The Renaissance, Marius the Epicurean | 1873, 1885 |
Edwardian Period | 1901 CE – 1914 CE
Joseph Conrad | 1857–1924 | Heart of Darkness, Lord Jim, Nostromo | 1899, 1900, 1904 |
E.M. Forster | 1879–1970 | A Room with a View, Howards End, Where Angels Fear to Tread | 1908, 1910, 1905 |
Henry James | 1843–1916 | The Ambassadors, The Wings of the Dove, The Golden Bowl | 1903, 1902, 1904 |
Virginia Woolf | 1882–1941 | Mrs. Dalloway, To the Lighthouse, The Voyage Out | 1925, 1927, 1915 |
Katherine Mansfield | 1888–1923 | The Garden Party, Bliss, Prelude | 1922, 1916, 1918 |
H.G. Wells | 1866–1946 | The War in the Air, The First Men in the Moon, Kipps | 1908, 1901, 1905 |
John Galsworthy | 1867–1933 | The Forsyte Saga, The Man of Property, The Silver Box | 1906, 1906, 1906 |
Ford Madox Ford | 1873–1939 | The Good Soldier, Parade’s End | 1915, 1924 |
George Bernard Shaw | 1856–1950 | Pygmalion, Man and Superman, Mrs. Warren’s Profession | 1902, 1903, 1902 |
Rudyard Kipling | 1865–1936 | Just So Stories, Kim, The Jungle Book | 1902, 1901, 1894 |
The Edwardian Novel | Early 20th century | Focused on class, society, and individual struggles, with authors like Forster, Galsworthy, and Conrad as key figures | 1901–1914 |
Modernism (Early) | Early 20th century | Early modernist experimentation with form and style in reaction to Victorianism and Edwardian societal values | 1900s–1914 |
Social Change and Suffrage Movement | Early 20th century | The fight for women’s suffrage and labor rights significantly influenced literature (key figures like Emmeline Pankhurst) | 1900–1914 |
The Titanic Disaster (1912) | 1912 | Event that influenced works on human hubris, social class, and the fragility of civilization in literature | 1912 |
The Boer War (Legacy) | 1899–1902 | Reflections on imperialism, identity, and the costs of empire appeared in the works of writers like Conrad and Kipling | 1901–1914 |
The Edwardian Period’s Rise of Psychological Realism | Early 20th century | A move away from Victorian realism to more complex psychological explorations of characters’ inner lives and motives | 1901–1914 |
Georgian Period | 1910 CE – 1936 CE
George Bernard Shaw | 1856–1950 | Pygmalion, Man and Superman, Major Barbara | 1902, 1903, 1905 |
Rupert Brooke | 1887–1915 | 1914 and Other Poems, The Soldier | 1914 |
Wilfred Owen | 1893–1918 | Dulce et Decorum Est, Anthem for Doomed Youth, The Parable of the Old Man and the Young | 1917, 1917, 1918 |
Siegfried Sassoon | 1886–1967 | Memoirs of a Fox-Hunting Man, The War Poems of Siegfried Sassoon, The Old Huntsman | 1928, 1918, 1917 |
T.S. Eliot | 1888–1965 | The Waste Land, The Love Song of J. Alfred Prufrock, The Hollow Men | 1922, 1915, 1925 |
Virginia Woolf | 1882–1941 | Mrs. Dalloway, To the Lighthouse, Jacob’s Room | 1925, 1927, 1922 |
D.H. Lawrence | 1885–1930 | Sons and Lovers, Women in Love, Lady Chatterley’s Lover | 1913, 1920, 1928 |
E.M. Forster | 1879–1970 | Howards End, A Passage to India, Where Angels Fear to Tread | 1910, 1924, 1905 |
Gerard Manley Hopkins | 1844–1889 | Poems, The Wreck of the Deutschland, The Windhover | 1918, 1875, 1877 |
H.G. Wells | 1866–1946 | The War of the Worlds, The Time Machine, The Invisible Man | 1901, 1895, 1897 |
The Georgian Poets (including Rupert Brooke, Edward Thomas, and others) | Early 20th century | Focused on pastoral poetry, traditional verse, and nature, often contrasting the horrors of war with the beauty of the English countryside | 1900–1936 |
The Bloomsbury Group | Early 20th century | A group of intellectuals and writers including Virginia Woolf, E.M. Forster, and Lytton Strachey, influencing modernism, art, and society | 1910s–1930s |
Modernism (Continued Development) | Early 20th century | A literary movement characterized by experimental forms, psychological depth, and themes of alienation (Eliot, Woolf, and others) | 1910s–1930s |
World War I | 1914–1918 | Major influence on literature, particularly the war poets and the disillusionment reflected in works by Owen, Brooke, and Sassoon | 1914–1918 |
The Irish Literary Revival | Early 20th century | Irish authors like W.B. Yeats, James Joyce, and George Bernard Shaw contributed to a national literary movement, influencing the Georgian period | 1900s–1930s |
Feminist Movement (Women Writers) | Early 20th century | Writers like Virginia Woolf and others addressed feminist concerns in their works, advancing the role of women in literature | 1910s–1930s |
The Great Depression | 1929–1939 | Economic downturn influenced literature’s focus on social realism and economic hardship (notably in the works of D.H. Lawrence) | 1929–1936 |
Modern Period | ~1914 CE – 1945 CE
T.S. Eliot | 1888–1965 | The Waste Land, The Love Song of J. Alfred Prufrock, The Hollow Men | 1922, 1915, 1925 |
Virginia Woolf | 1882–1941 | Mrs. Dalloway, To the Lighthouse, Jacob’s Room | 1925, 1927, 1922 |
James Joyce | 1882–1941 | Ulysses, A Portrait of the Artist as a Young Man, Dubliners | 1922, 1916, 1914 |
D.H. Lawrence | 1885–1930 | Sons and Lovers, Women in Love, Lady Chatterley’s Lover | 1913, 1920, 1928 |
Gertrude Stein | 1874–1946 | Three Lives, Tender Buttons, The Autobiography of Alice B. Toklas | 1909, 1914, 1933 |
E.M. Forster | 1879–1970 | A Passage to India, Howards End, Where Angels Fear to Tread | 1924, 1910, 1905 |
W.B. Yeats | 1865–1939 | The Second Coming, The Tower, The Winding Stair | 1920, 1928, 1929 |
Dylan Thomas | 1914–1953 | Do Not Go Gentle Into That Good Night, Under Milk Wood, Portrait of the Artist as a Young Dog | 1951, 1954, 1940 |
Aldous Huxley | 1894–1963 | Brave New World, Crome Yellow, Point Counter Point | 1932, 1921, 1928 |
H.G. Wells | 1866–1946 | The War of the Worlds, The Time Machine, The Invisible Man | 1901, 1895, 1897 |
W.H. Auden | 1907–1973 | The Age of Anxiety, The Shield of Achilles, Funeral Blues | 1947, 1955, 1936 |
The Bloomsbury Group | Early 20th century | A group of intellectuals and writers including Virginia Woolf, E.M. Forster, and Lytton Strachey, influencing modernism, art, and society | 1910s–1930s |
Modernism | Early 20th century | A literary movement characterized by experimentation with form and content, stream of consciousness, and a break with tradition (Woolf, Joyce, Eliot) | 1910s–1940s |
Existentialism and Absurdism | 1920s–1940s | The focus on individualism, meaninglessness, and existential crises, with authors like Beckett and Camus influencing literature | 1920s–1940s |
The Harlem Renaissance | 1920s | While not British, this cultural movement in the U.S. influenced British writers and themes of race, identity, and culture in works of writers like Langston Hughes and others | 1920s |
World War I | 1914–1918 | The war influenced much of the literature of the time, particularly with the disillusionment expressed in works by Owen, Sassoon, and other war poets | 1914–1918 |
The Great Depression | 1929–1939 | This global economic downturn influenced many works focused on poverty, class struggles, and the failure of social systems. Key writers include Huxley and Woolf | 1929–1939 |
World War II | 1939–1945 | World War II influenced the literature of the time, with writers reflecting on the impact of war, totalitarianism, and social collapse. | 1939–1945 |
Postmodern Period | 1945 CE –
Samuel Beckett | 1906–1989 | Waiting for Godot, Endgame, Krapp’s Last Tape | 1953, 1957, 1958 |
Angela Carter | 1940–1992 | The Bloody Chamber, Wise Children, Nights at the Circus | 1979, 1991, 1984 |
Salman Rushdie | 1947–Present | Midnight’s Children, The Satanic Verses, The Moor’s Last Sigh | 1981, 1988, 1995 |
Julian Barnes | 1946–Present | Arthur & George, The Sense of an Ending, Flaubert’s Parrot | 2005, 2011, 1984 |
Ian McEwan | 1948–Present | Atonement, Amsterdam, Enduring Love | 2001, 1998, 1997 |
Jeanette Winterson | 1959–Present | Oranges Are Not the Only Fruit, Written on the Body, The Passion | 1985, 1992, 1987 |
Kazuo Ishiguro | 1954–Present | The Remains of the Day, Never Let Me Go, The Buried Giant | 1989, 2005, 2015 |
Thomas Pynchon | 1937–Present | Gravity’s Rainbow, The Crying of Lot 49, V. | 1973, 1966, 1963 |
Martin Amis | 1949–Present | Money, London Fields, The Information | 1984, 1989, 1995 |
Don DeLillo | 1936–Present | White Noise, Underworld, Libra | 1985, 1997, 1988 |
Postmodernism | Mid 20th century–Present | Literary movement characterized by a rejection of metanarratives, experimental forms, intertextuality, and playfulness with language and meaning | 1945–Present |
Metafiction | Late 20th century | Fiction that self-consciously addresses the devices of fiction, often breaking the fourth wall (e.g., If on a Winter’s Night a Traveler by Italo Calvino) | 1950s–Present |
Magical Realism | 20th–21st century | The blending of magical or fantastical elements with reality, seen in the works of writers like Gabriel García Márquez and Rushdie | 1960s–Present |
Feminist Literature | Mid 20th century–Present | Literature that addresses gender, identity, and the power dynamics of patriarchy, often seen in writers like Angela Carter, Jeanette Winterson, and Doris Lessing | 1960s–Present |
The Fall of the British Empire | Mid 20th century | The postcolonial perspective influences literature, as writers explore themes of cultural identity, migration, and postcolonial issues | 1945–Present |
Cultural and Technological Shifts | Late 20th–21st century | The rise of digital technology, the internet, and mass media leads to new ways of storytelling and interactivity in literature | 1990s–Present |
The Rise of Digital Literature and E-books | 2000s–Present | The advent of digital literature, e-books, and interactive narratives; new forms of storytelling emerge in digital formats | 2000s–Present |
Globalization and Postcolonial Themes | 21st century | Writers like Aravind Adiga, Zadie Smith, and Bernardine Evaristo address issues of globalization, migration, and cultural identity | 2000s–Present |
Environmental Literature | 21st century | Focus on climate change, environmental degradation, and sustainability in works by writers like Amitav Ghosh, and others | 2000s–Present |
Transculturalism and Multiculturalism | 21st century | Exploration of multicultural identity, migration, and intercultural exchange in the works of authors like Zadie Smith | 2000s–Present |
Queer Literature | 21st century | Writers like Sarah Waters, Jeanette Winterson, and Ali Smith explore LGBTQ+ themes, gender identity, and sexualities | 2000s–Present |